Sound is a mechanical wave that travels through a medium from one place to another. This motion occurs as one particle of the medium transferring mechanical motion and energy to its neighboring particle. This is what makes the sound wave a mechanical wave. As a sound waves reaches to the end of the medium, energy and motion will not be the same anymore as it is being transferred to else where by reflecting, refracting or diffracting.
Reverberation is controlled by the size of the auditorium and by the relative amount of absorption or reflection of sound by the materials placed on walls, ceiling and floor. A reverberation is distinguished when the reflected sound wave reaches the ear in less than 0.1 second after the original sound wave. There…show more content… Reverb helps to add extra depth and space to production and hence it became an essential studio tool. Too much reverb on a single sound can make it appear distant. Busy or fast music works best with short reverb. Slower, less perplexing music works best with longer, bigger reverb. Strong reverberant sound of low frequencies is responsible for warmth, and high frequencies for brilliance.
Never add reverb to bass sounds and keyboard sound source and a microphone.pad sounds. To blend the rest of the track with reverb, use a lo-pass filter o the reverb to remove high frequencies. Reverb is usually arranged using the send/return method, where the main signal is sent to the reverb unit or plungin via an aux send on the input channel, and the effected sound is returned to a mono channel or a pair of stereo channels on the mixing…show more content… Audiences came to judge the quality of the musical performances and the environments in which the musicians played. A richly reverberant hall was much more better than a small, acoustically dry parlor for performances. The earliest room designed to function a public concert halls was build by a group musicians in London in 1678. It could accommodate an audience of 200 plus people. The magnificent Pantheon, located on Oxford Street, opened its door in 1722 and the Holywell Music Room in Oxford opened in 1748. However, we have to give credit to a physicist, Wallace Sabine. He was the first man to study the science of room acoustics. In 1895, he undertook the challenge of turning an “ acoustically impossible “ lecture hall into a usable room. Based on the information he gathered, he developed an equation that made it possible to consistently predict reverberation time in any room and thus the “ musicality “ of such a space. In 1900, Wallace Sabine took a job as the consultant for the New Boston Music Hall. After analyzing the initial design of the place, he quickly determined that it would be chaos. Reverb was necessarily the audible byproduct of a physical distance between a sound source and a microphone. Bill Putnam Sr. in 1947 was the first