Museum Critique

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M U S E U M P R O J E C T I visited The Art Institute of Chicago for my Museum Project, which is a 130 years old Museum, and currently ranks as, “number one attraction for Chicago” according to trip advisor. This Museum is located at the intersection on Michigan and Adams, and is visited by thousands of visitors each year. The Great Fire of 1871 destroyed this Museum. The Art institution of Chicago was founded as both a museum and school for fine arts in 1879. According to The Art institute of Chicago its Mission is, “to collect, preserve, and interpret works of art of the highest quality, representing the world’s diverse artistic traditions, for the inspiration and education of the public and in accordance with our profession’s highest…show more content…
Examining dancers at rest, in rehearsals, behind the scenes, and onstage, he took an almost documentary approach. Degas provided a minimum of details to help us understand the ballerina seen here, “Dressed for the stage with flowers in her hair, she stands in a relaxed pose and is clearly distracted by something out of frame. Degas’s handling of the medium is just as ambivalent as the scene depicted.” On this small canvas, he treated oil paints like pastels, shapes are barely outlined, instead defined by modulating color, the brushstrokes on the skirt look like hatch marks, and the wash of colors in the back ground lets the surface peek…show more content…
According to The Comp Magazine Charles Ray is a Chicago born sculptor, who has been give 18,000 square feet of museum’s Modern Wing 2nd floor gallery. Ray has largely focused upon illusion and reality. Rays work is considered to be precise, delicate and reminiscent of classical sculpture. Charles Ray describes, “His objects not as the product of an obsessive practice but rather as the manifestation of discipline and persistence.” According to the Art Institute of Chicago, Ray has been redefining the possibilities of comp temporary sculptures on technical and formal level. Charles Ray pioneered the use of solid, machined aluminum and stainless steel, in a way that was new to the history of art. Rays work is usually a result of a long process of study, experimentation and refinement of existing ways of working. The “Hand Holding Egg” is considered as a highly technical, timeless yet contemporary work of
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