Dantes Inferno

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Dante was one of the most known Medioeval authors, who published relevant works able to show how deeply he felt the social role of the artist and how he was involved in the political and philosophical debate of his time. For this reason, it is not a case that, throughout the centuries, the political interpretation of Dante's oeuvre has been subjected to various metamorphosis strongly connected with the political and ideological situations coming from the historical momentum in which they occurred. In this thesis we are going to analyse the interpretations of Dante's oeuvre in the works by Ugo Foscolo, Gabriele Rossetti and Luigi Valli, who, in a well-defined historical moments (such as from the 18th century onwards with the peaks in the 19th…show more content…
2) To what extent Dante's political thought is able to explain the huge popularity that his author acquired during the Italian Risorgimento and during the European Romanticism? 3) Why has Dante's popularity turned out only after about three centuries in which, rather than Dante's thought, only Petrarch's thought had been at the centre of that cultural world. 4) To what extent Dante's political experience influenced his own works? In an attempt to find the best answers for the above questions, first of all we need to analyse the historical-cultural background during Dante's lifetime, as it strongly influenced Dante's political and philosophical thought. As we already said, Dante's main purpose was to put his work at the service of the society and for this reason, he, as other thinkers and philosophers of his time, used the public discourse and his writings as means with the purpose to spread the knowledge between literate and illiterate people, trying to educate them for political and philosophical…show more content…
In brief, we can say that Dante's philosophical and political treaties reflect the meanings of the philosophical and theological language used by Aristotle and Aquinas, as the Aristotelian thought had been adopted by the Thomism for the theological demands of the religious tradition, giving way to a particular, cultural atmosphere that animated the philosophical, theological and political debates during Dante's time, acquiring also a relevant position in the polemic occurred between Church and State. In particular, we can say that Dante's Convivio makes reference to the Thomism (tradition of Aristotelian origin, which welcomes the union between faith and reason), while Dante's Divine Comedy makes reference to the thought by Boethius and St. Augustine, clearly connected with Plato's philosophical
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