Raccoon Faunascape is an acrylic-water color combination painting of a raccoon with a scene derived from nature on the inside. The eyes of the raccoon and marks of fur are still included. However, the body of the animal is majorly comprised of the nature scene. My love for animals, raccoons being my favorite, as well as nature inspired this idea, causing it to be representational. The colors are very natural and realistic. Primarily including, greens, browns, and blues. The raccoon’s head is primarily
2D so you can only touch it and this is called visual texture. This composition is taken place on a landscape. As you can tell it is not still life. This composition is full of life.You can tell by the dog and the two hard working people in the water on top of a wagon. John Constable used perspective in his painting.The house and the trees are a good example of perspective. John Constable used perspective to create the illusion of 3D images and spatial relationships on a 2D surface.This is linear
that encompasses us by the use of painting. The painting features some of the most common physical features that make a landscape painting. They include maintains, sky, buildings, rivers and the trees Light and Shade By the shading and use of light colors, the direction that the light is coming from is the South Eastern part of the painting. The windows of the house are directly facing the source of light. The importance of light in Landscape with Houses painting is to reveal to our sight the unique
from falling off of the rock. In the background, there is a pond and to the right of the pond, there are a few trees. It appears to be sunny, and the sun’s light is reflecting off of the water, but the boy and his sister are sitting in the shade of the trees. One of the visual elements that stands out are the colors in the painting. The young boy is dressed in a blue sweater, with a turquoise button-down underneath. He has gray and white shoes, while his sister’s shoes are solid white. His sister
one of the hardest mediums available, watercolor, to paint photorealistic pieces of art. This piece is exactly that, an incredible photorealistic watercolor painting on paper. The painting is a collection of colors most of which are cool colors. Silver and green are the most prominent colors really giving the paint a cold and empty, yet relaxing fill to the painting. In the painting the clean dishes and counters, the organized condiments, and the absence of human life really add to the feeling of
Before I jumped in I found myself stuck, in a gaze facing the ocean as it expanded beyond the horizon, looking to my left and right, seeing nothing but the clear blue sky's reflection for miles upon miles. As I got closer to the deep blue sea I smell nothing but the salt flowing through the cool ocean breeze. I jump, tepid waters splashing up to the aqua sky. Diving down farther and farther, feeling the slimy orange striped clown fish brush against my legs and the mucky vivid green seaweed tickle my
Cole McFarland Mrs. Zimmerman Art Appreciation 1 February 2015 The Water Lily Pond By Claude Monet Claude Monet did many paintings. Not only were they paintings, they were oil paintings. The Water Lily Pond was one of these oil paintings. It is easy to tell that it is an oil painting due to the strokes of the brush and the strength of the color. As I studied this piece I noticed that Monet used very little color. There were a lot of greens, few pinks, and a little bit of brownish reds. They
board. The artist utilized spray paint cans and multiple scraping devices (chisels and screw drivers, for example), to cut away at still-wet paint, leaving behind an illusion of depth and exposing the white background underneath the paint. The main colors used are black, blue, white, and orange/red. The painting was produced in 2011. The upper quarter of the painting (vertically, as if one were to draw four lines across the painting horizontally, equally spaced) show the moon, stars, and a comet
This painting has the same scene as in the earlier version, but just that is submerged under water. The water is so clear and still that it reflects the mountain in the distance and divides the little rock in the center. The bottom of the painting is completely overtaken by square shapes arranged in exact rows and has the effect of forming a wall on
naturalism through linear and aerial perspective. They used color subtly to create