share with our contemporaries? At the core of this class is the desire to go deep within ourselves and explore how we can artistically and critically materialize the intimate relationship between our body/mind and the arts. Some of the situated questions we will raise are, for example: What aesthetic principles underlie and inform our practices? How do we see the boundaries between Design, Art, Photography and our lives? What is our relation to light, darkness, and color? How do we acknowledge our
history is not a pleasure for the historians, but also for every individual who have a past life. This intense quote helps us to question our self, like “what is the use of knowing history”, “why do I need to know my roots”, “it isn’t enough knowing my great great parents name?”. well there are different statement which are given by different historians to answer your questions. There are plenty of uses of knowing history, among the lists, knowing your origin, Avoiding Past Mistakes, living a Different
English Language and Literature Studies; Vol. 5, No. 1; 2015 ISSN 1925-4768 E-ISSN 1925-4776 Published by Canadian Center of Science and Education 13 Historicizing Joseph Conrad's Heart of Darkness: A Critique of King Leopold II’s Colonial Rule Isam Shihada1 1 Associate Professor of English Literature and Gender Studies, Department of English, Gaza Strip, Palestine Correspondence: Isam Shihada, Associate Professor of English Literature and Gender Studies, Department of English, Gaza Strip, Palestine