Oscar Wao

1757 Words8 Pages
When reading Junot Díaz’s The Brief Wondrous Life of Oscar Wao, readers will note the way in which the narrator, Yunior, fashions himself an unofficial historian, telling the stories of various individuals as they intersect with the dark past of the island they all call home. His style in re-telling history is curious, however, in part because it is told from a position of diaspora. While mixed with official re-tellings of Dominican history contained mainly in footnotes, the narrative takes on traces of pop culture, creates analogies to science fiction and refers to elements of magic and superstition. In this essay, I will argue that Yunior uses these alternative modes of expression to tell the story of the de Leóns, as well as the history…show more content…
And we can certainly acknowledge how the effort might result in a complicated and more dialogical historical narrative, with magic mongooses and references to The Lord of the Rings used to explain historical phenomena, rather than materials collected from history books. But Oscar Wao is a novel with the experiences of an individual acting as its base; therefore, even the narrator’s own historical context must be considered. We learn that Yunior, too, “has his silences, his páginas en blanco” (149), and that there are things he cannot answer because of his affiliation with the culture and history he writes about. In her essay, “Reclaiming Silenced & Erased Histories,” Leah McCormack details the effect of such gaps on the text of Oscar Wao: “These instances of absence . . . extend into the form of the novel itself. The fragmented narration, for instance, calls attention to the blank spaces, and lends a sense of erasure to the text” (42). It is thus up to Yunior himself to fill these gaps, to “recover lost narratives, lost people, lost memories” (Chi’en); the result is an amalgam of more traditional historical narrative and elements of pop culture and…show more content…
At this point in the novel, the narrator has established his voice, as well as the way in which he will approach his re-telling of history. As historicists, the way we view the novel changes here as well: we can accept that the narrator’s interpretation of history will be his own and no one else’s. However, it is important to note that Yunior is not creating a science fiction novel through his mixture of magical realism and history. On the contrary, he is filling the “páginas en blanco” of the many nobodies that make up a nation, just as the Walcott poem says. In short, he needs a bridge to connect them to one another and thus bind them into one national context or
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