Joseph Campbell is telling us that “Experience of life” (p5) is truly The Hero’s Adventure, chapter five title. For him, reading ancient stories, going through rituals will transform our outer world to match our inner selves. Agreeing that mythology incorporate religion that can inspire art, which teaches us an illumination within our consciousness, being awake. Disagreeing that philosophy cannot be part of this mixture of inspiration because being “tangled up in concepts” (p163). Campbell died
females, however, were given the comic roles, with Cordelia’s exceptionally written character given similar prominence to Lear’s fool. According to this analysis, Shakespeare’s point of view was “necessarily male,” and that there was a challenging other that was female. The gender divide among Shakespeare’s characters offer critics with a different analysis into the genre-bending Shakespeare, who is often described as one of the most gender-sensitive playwrights of his time. According to Bamber, Shakespeare’s
Stage 5: Crossing the Threshold For the first time, the hero steps foot in the new, different word. At this point in the story, the plot arises and the adventure begins. Once the hero begins this journey there is no way he can go back and quit now (Vogler). After Pacha and Kuzco shake on the deal, they start heading toward the palace. They both decide to tackle on this challenge together. Finally walking out of their forest, they see bridge, with the palace seen in the distance. Pacha trips and almost