Julius Caesar, a play written by William Shakespeare portrays the death of the infamous hero of Rome—Julius Caesar. Starting from his return from defeating Pompey, Caesar undergoes a series of bad omens which inevitably leads to his death. The most important being a conspiracy against Caesar himself, involving his most trustworthy friend and possibly the well-respected people of Rome. The omen that started it all, was a warning from a soothsayer, telling to take caution on the Ides of March (March
Following the death of Caesar, both Brutus and Antony deliver speeches to the demanding Roman public that are ambivalent and fickle on the issue. Though they both address the situation of Caesar’s unfortunate demise, each speaker has a different agenda for their argument, their words also fundamentally embodying their individual characteristics as people. Brutus strives to convince the Roman citizens that the slaying the avaricious Caesar with the support of the valiant conspirators was necessary
say that the measure of a man is what he does with power, but what is power through the eyes of William Shakespeare and Niccolo Machiavelli? Our interest in the perspectives of power in Niccolo Machiavelli’s The Prince and William Shakespeare’s Julius Caesar is further enhanced by the consideration of how differing contexts shapes one's morality. Machiavelli’s treatise offers an insight into how people are ruled by those who govern based on self-interest. Rulers are no humanitarians and Machiavelli