Corruption In The Great Gatsby

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Despite the fact that many perceive the “American dream” as a promise of freedom, prosperity, and advancement in social classes, underneath the dream lies the truth that nobody is truly equal, nor is given the same opportunity as others, as one is always struggling while another rises. While the film director Brian De Palma, through his work Scarface (1983), highlights to the audiences the treatment of nature by modernization and corruptions in American capitalism, the American author Scott Fitzgerald, in writing The Great Gatsby, depicts to the readers how the American dream is romantic and beautiful, yet deeply flawed and contradictory, through the usage of rhetorical and literary devices, such as oxymorons and hyperboles.…show more content…
In the shower scene, the luxurious items in the background, such as gold chair, gold statue, and yellow lighting, create a grand effect to show how Tony has filled the American dream in becoming rich; however, sitting in the bathtub, Tony does not seem to be happy, as suggested by his blank and neutral face expression. It is worth nothing that the white bathtub also foreshadows Tony’s eventual downfall, as his body falls into a fountain of blood in a living room that is decorated with a red colored carpet, towards the end of the film. Thus, De Palma’s “Scarface” (1983) seems to depict the idea that the American dream is a lie, through the motif of red color and the usages of cocaine, and that it is impossible to…show more content…
1, 2). Moreover, to Gatsby and perhaps the readers, both Daisy and the green light seem to symbolize the American dream; and Gatsby’s failure of grasping the light and winning over Daisy’s love, despite that he is a millionaire, suggest how the American dream is almost impossible for anyone to achieve. Daisy’s eventual corruption, where she killed Myrtle, reiterates De Palma’s idea that the American is heavily corrupted. Perhaps the strongest evidence lies in line, “So we beat on, boats against the current, borne back ceaselessly into the past” (Ch. 9, 180) writes Fitzgerald, suggesting to the contemporary Americans and the readers that the American dream has long been past and it is pointless to strive towards something that is long dead and
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