Citizen Kane

1082 Words5 Pages
I decided to watch this movie before I wrote this paper. Honestly I must say that for an older movie I enjoyed it. The movie Citizen Kane is recorded as one of the greatest movies produced of all times. The movie was co-written, produced, directed and edited by George Orson Welles. He was noted for having a very interesting personal life, perhaps just as good as the movie itself. In 1998, the American Film Institute named Citizen Kane at the top of its 100 best films. It was because of the many unconventional techniques which were innovated or reintroduced by Welles during that time period. According to history this movie came close to not being released at all because of a bitter rivalry between Welles and William Randolph Heart.…show more content…
He had been married twice and ran for governor, unsuccessfully only to die a lonely and depressed. Right before he died in his estate he uttering his last word “Rosebud” in front of his servants. Who is or was this and what did it mean? The non-traditional narrative of Citizen Kane is that the story is being told from the end of the movie and does not follow a classical narrative because of all the subplots encompassing the mysterious last words uttered by Kane. However, at times because of some of his questionable actions which included an affair with his mistress woman Susan, comments were made by his family, friends and colleagues suggesting Kane as self-centered, an antagonist. The lead character in the narrative, the character who faces the conflict is called the protagonist. In children's literature, he or she is referred to as a hero, but in literature and modern film, the name is misapplied because stories, films, and narrative poems can have protagonists who are antiheroes. If a character is the source of the conflict, that character carries the title "antagonist." However, some stories have "nature" or "self"…show more content…
Studies seems to suggest they simply were not recognized, forgotten or lacked interest back then when older movies were made. With the release of Citizen Kane in 1941, Welles had the means to execute on non-traditional narrative structures. The ways in which Citizen Kane challenged the “traditional narrative” consist of many techniques covered in the textbook we used. For example: the mise-en-scene re: “How to run a newspaper scene” where Kane is arguing with Thatcher, was actually great for a film that was produced in 1941. The tone of the discussion is clearly captured in the background of the elements of design and
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