Charles Kane's Citizen Kane

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The movie Citizen Kane is a biography of Charles Foster Kane’s life as perceived by others. Throughout the film, Kane is portrayed as enigmatic to those considered close to him as he was to the general public. The Kane everybody knew was an image created by his money and fame. Who exactly was Charles Kane? It’s clear by the end of the film that Kane is searching for what he lost when his mother sent him away with Mr. Thatcher. Growing up, Kane started to rebel against Mr. Thatcher and the life he planned for Kane. Kane didn’t want to be one of the wealthiest men in the world; rather, he simply wanted to return to his mother and the quiet boarding house he grew up in. Kane, blaming Thatcher’s enormous wealth for his loneliness, believes…show more content…
People wanted to be Kane, to experience what he had, to own what he did. But those outsiders did not experience the longing that Kane struggled with for so long. Kane understood that the love the media fed him no longer could sustain him. He was back where he started. That is, until he met Susan Alexander. Susan, a young woman living in the city, had no clue who Kane was. That fascinated him. Susan did not like Kane for his money or his fame, least not for his political career. Susan Alexander liked Kane for the simple fact that he made her laugh. Such emotions were new to Kane yet reflected what was he was yearning for emotionally. He begins to feel the inkling of love he lost when his mother left him with Thatcher. Kane continued to visit his mistress, until the fateful night that his rival in the polls discovers his affair. Kane is content with announcing his affair to the world. He believes that the public will love him anyway. The media elevated Kane’s ego to the point of believing himself above moral standards. The media’s fascination with Kane fueled his inflated sense of self importance, thereby distorting his…show more content…
Kane thought if his new wife was successful, he could be happy. He built Susan an opera house, arranged for the best opera coach to teach her. Yet he still was not satisfied. What more could Kane do but build his own paradise? He builds a massive mansion for his own personal utopia. Kane tried to recreate the perfect moment in time, a place where he was loved and cared for. But nothing seemed to please Kane. Meanwhile, Susan became intolerant of Kane’s indecisiveness and distance. In spending his fortune, Kane neglected to grasp the outstretched hand Susan extended to him in hopes of pulling him out of the darkness. Kane refused to let go of the money and the adoration of the public. Kane’s dependence on money drove Susan away. At the very last second, before she left, Kane promised to be the man Susan wants him to be. Momentarily, Susan saw something in him she had never seen before. Ultimately, however, Kane’s egotism and pride, built on the foundations laid by the media’s sensationalism of money, wealth and power, reared its ugly head and Susan Alexander left
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