Athenian Women

813 Words4 Pages
It is inappropriate to conclude that women during the Classical period in Greece were completely secluded from the world; unable to step outside of the domestic life they lead in their homes. The Classical period in Ancient Greece, particularly Athens during the 4th and 5th centuries BCE, was immensely marked by gender segregation, as men were affiliated with the public sphere while the domestic sphere was associated with women. Caring for children and slaves (if applicable), weaving, preparing food and tending to graves were among some of the household affairs that women had a great deal of control over in the home, though they were still reduced to the ranks in the public eye. Breaching the barriers between women and public life, being strictly…show more content…
Practising religious rituals at all levels, from informal and private celebrations to state-sponsored occasions, the roles women played ‘could take them into public spaces otherwise reserved for men.’ In the general representation of religion, a female was granted indistinguishable prominence and eminence with a male counterpart, as a Greek goddess equalled a Greek god exercising power and commanding respect. Social, cultural, religious and in some aspects of political state in Athens, as they were forbidden to participate directly in politics since it was reserved for men, were all considerably influenced by women giving them freedom and visibility. The roles of Athenian women in Greek religion at the time varied from their participation in festivals, sacrifices, their funerary duties, the position of priestesses by a particular group of women and the representation of women in myths and…show more content…
Festivals in Ancient Greece were practiced to not only appease the gods and goddesses, but also to elevate or reaffirm the people’s beliefs in them and celebrate their polytheistic nature of worship, hence it was only fitting that women had their own celebrations to honour many of these deities. Athenian women took part in many festivities from the state-sponsored Panathenaia and Brauronia (also known as the Arktei) to the private, women’s only exclusives (‘no Homer’s allowed’) such as the Heraia, Adonia and Thesmophoria. The patron goddess of Athens, Athena, to whom the city was named after and dedicated to, was honoured by an annual public celebration called the Panathenaia, which was known to be one of the greatest festivals of the city as it put it on display for the rest of Greece and the world to see. Women who participated in this festival were seen to be playing a major role in the prosperity and protection of the city, as Athena was the guardian of the well being of the state. The roles of different classes of women varied, although it was open to all females, as citizen women and girls lead the procession, with some of the unmarried women acting as basket-bearers, while alien and metic women and girls followed behind. On the east side of the Parthenon a frieze depicts
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