“Now, RUN”! I exclaimed, to the people in on the petrify of the others. It was 2015 Deer Camp, and everyone wanted it to last longer. What better way to make it last longer than stay up late; all night. It was eleven-thirty and pitch black. We couldn’t see a hand in front of our face. Everyone was running up and down the trails scaring as they went. I had the master scheme to frighten all my friends by the fire. This is what happened that pitch black night in May. We darted along the trail for little
“In a high speed chase, suspect on a black motorcycle, we are going 110 miles per hour.” Silence… Crash! Bang! Clash! In the middle of the intersection laid my dad, a police officer, and a criminal. As both men hit the scorching hot concrete, the criminal tried to flee the scene of the accident, but my dad used all of the strength he had left to pull out his Taser and took him down. By the time, the first responding officers arrived on the scene my dad laid unresponsive; the officers called
A man has a burlap sack version of me. He aggressively squeezes my lifeless body in is hands and with untainted anger, precision and determination he takes a crimson needle and injects it into the fibers of my heart. It is pitch black and I have just been awakened to an excruciating burning impression in my chest and upper abdomen. I toss and turn for what seems like an eternity until I can’t take the torture anymore. I waddle to the medicine cabinet. I take a trio of antacids and scuffle back to
One trip was with a DCD buddy of mine, Harry Hall. He had a 16’ open cockpit dingy. We camped together and when it came time to go sailing he asked if anyone wanted to go with him. Ricky responded, so the two of them went out on Harry’s sailboat, and we went on ours. It was incredible swimming off the boat; the water was so clear you could see the bottom 15’ down. We sailed out to a swim area and anchored, and Harry sailed off. The winds were gentle at maybe 10 knots, but somehow Harry managed
Racism, everyone has experienced it at least once in their life and some even more. It’s something that has clouded this country ever since the signing of the Declaration of Independence on July 4, 1776, to the Civil War, and to the controversy of police violence and the Baltimore riots. Some people today argue that racism is dead but others beg to differ. I personally have experienced racism in my life. I am a quarter Korean, a quarter Black, and half white but the only things that show are the
of racism discussed in class is the historical, “old fashioned” racism in the U.S. that characterized Jim Crow era South. This openly bigoted and explicit racism is also referred to as dominative racism. Eduardo Bonilla-Silva explains the new predominant form of racism: colorblind racism, which can be described as the white rationalization of racial inequality as “the product of market dynamics, naturally occurring phenomena, and blacks’ imputed cultural limitations” (RR 2). Colorblind racism is
Narrative engages the reader with the use of descriptive language, causing the reader to be drawn in by the messages in the poems. Narrative combines the use of emotive language and a personal point of view to truly aid the reader to connect to the poem as he/she is able to easily visualize oneself in the poet’s position and immerse oneself in the
limit in incubation that the Nazi leader and message could have possibly escaped the destruction of Hitler’s Bunker during the last days of World War Two (259). Throughout the narrative evidence for this claim is presented in the forms of testimony from interrogations, German newspaper articles, interviews, as well as personal journals of captured Germans. The most compelling evidence is granted by those who witnessed last days of Hitler in his heavily fortified furherbunker fifty feet underground
skillfully employs poetic language to uncover the history of the Noongar community in the form of stories. All this aspect of Scott’s writing has increased readers interest. As John Fielder writes: Scott’s writing appeals to readers interested in narratives that explore different ways of story telling and texts that break down in entrenched cultural binaries…Kim Scott is an important figure in Australia today because of his creative quest to open up new and different ways of ‘being black’, and to provide
Throughout The Power of One, and Mississippi Burning, Bryce Courtenay and Alan Parker respectively explore the varying effects of racism and the individual in hostile environments. Both authors explore these themes by setting their texts in society which are divided along several lines: colour, race and tongue. Where Parker rewrites and manipulates history to expose the nature of a segregated society, Courtenay contrastingly explores the idea of the power of one within the individual. To engage the