The question “what is literature?” doesn’t seem like a difficult question but after thinking about it for a few minutes what is the true meaning of literature? If you googled that question it would tell you that literature is written works, especially those considered of superior or lasting artistic merit. What written works are considered superior or lasting artistic merit? I believe that literature is imaginative, non-factual but in some ways factual, and it makes changes in the soul of an individual
Sammarraie 2140225 When we say Cultural Encounters we are talking about motivating things, on a space of levels in short story anthology title A world of Difference. Hope and disappointment after the revolution of Castro Cuba, comfort and fear in USA with all its beauty and sadness ,cultural ties that bind families and the difference between people’s dreams and reality, In working up with such theme we transact with complicated and distressing items, in this increasingly
the peaceful conversion processes such as the missionaries dispatched to the powerful West African kingdom of Benin. Furthermore, they tend to occur throughout the interaction between two parties who operate according to different social norms. This essay is concerned with how this significant theme
In the following essay I will be discussing and explaining the various aspects of my puppetry journey. This includes the style I have used, what and who influenced me and how I plan on using this puppet. I decided to go for the shadow puppetry method. As I have mentioned before, the style I have chosen to use is known as shadow puppetry (also referred to as shadow play). What exactly is shadow puppetry? In order for something to be considered a shadow play you only need about three things, namely
of doing so, the question of how a ‘female’ mode of reading can potentially be achieved by almost anyone becomes particularly salient. This question has no doubt been explored in different ways throughout the history of feminist criticism. In his essay, ‘Reading as a Woman’ (1982), Jonathan Culler notes the various ways of reading that feminist critics have undertaken in order to ‘read as a woman’, particularly in what he calls the “hypothesis of the female reader”. The postulate of a female reader
Woman: God’s second mistake? Friedrich Nietzsche, a German philosopher, who regarded ‘thirst for power’ as the sole driving force of all human actions, has many a one-liners to his credit. ‘Woman was God’s second mistake’, he declared. Unmindful of the reactionary scathing criticism and shrill abuses he invited for himself, especially from the ever-irritable feminist brigade. The fact and belief that God never ever commits a mistake, brings Nietzsche’s proclamation dashingly down into the dust bin
aesthetic appeal—is more or less indisputable today. The roots of theatre in India are ancient and deep-seated. Theatrical expression of some kind or the other has been since primitive and mythic times, an integral part of Indian life. Our knowledge about the initial, primitive stage of theatrical activity in India is very meagre. However one can safely say that theatre in India as in Greece was deeply embroiled with religion and the theatrical activity in India as in other cultures “began with primitive