said of William Shakespeare that the Elizabethan writer's works could not easily be categorized into either comedy or tragedy. It is here that we see that there is a need to accept, from a perspective of the study of Shakespeare's plays, that at times the author is not a follower of the rigid rules of literature. Through this, the play becomes not just either a comedy or a tragedy but is also both. Wallace continues on to hint that Shakespeare might as well be the playwright that Socrates is referring
Woman: God’s second mistake? Friedrich Nietzsche, a German philosopher, who regarded ‘thirst for power’ as the sole driving force of all human actions, has many a one-liners to his credit. ‘Woman was God’s second mistake’, he declared. Unmindful of the reactionary scathing criticism and shrill abuses he invited for himself, especially from the ever-irritable feminist brigade. The fact and belief that God never ever commits a mistake, brings Nietzsche’s proclamation dashingly down into the dust bin