Drag Character Appearance

820 Words4 Pages
This transition from individual, Person A, to drag character, Person B, is not as simple a process of referring to them in the third person or a change of pronouns. Drag kings and queens go through a rigorous process of character development to achieve a successful and convincing transition into their drag character. This process of transition can be broken into two stages, character-role creation and physicalization, where drag kings and queens use a range of techniques to cultivate the various personalities, mannerisms and appearance of their influences to create their drag character. The naming process, for example, is an extremely important element within character-role creation since it is one of the key tools that drag kings and queens…show more content…
They use their imagination to create a detailed and thorough biography for their character to help them adapt to any situation. I learned that the more creative the individual is, the further it helps to authenticate the illusion of the character and deliver a convincing performance as Frank…show more content…
This technique is integral to helping an individual remain “in-character” at all times when in drag because it prepares them for instances where improvisation is required. Drag is, therefore, very much akin to acting as drag kings and queens also structure the character-role creation process. To portray any given character-role actors, as well as, drag kings and queens need to identify available creation strategies, match them with the scripted character role, and execute them in character-role enactments. The identification and execution of strategies result from the interactions among cultural conventions, social structures, scripted information about character roles, and the individual’s agency (Becker 1982; Bandelj 2003). Yet, drag is a different kind of entertainment as the drag character is an entity that evolved from the person playing it. This allows an individual to personally construct and alter their persona in the creation of their drag character (Newton 1972; Schacht 2000a; Tewksbury 1994). The character commonly highlights aspects of their persona that they may not feel comfortable expressing, and thus the character’s persona can serve as a conduit for personal expression. The resultant character incorporates aspects of the performer and is
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