Byzantine Empire Religion

849 Words4 Pages
During the Byzantine Empire, Christianity was blossoming into a new religion that sprung up from the roots of Judaic tradition. Many people started to flock to this new religion because the message of Jesus was easy to understand. Also, everyone who wanted to join Christianity could join. It was not exclusive to anyone. In developing this religion, many factors influenced the structure and how things were done in the Byzantine Empire. For example, music played a big role in the development of this society. Early Christian music transformed the Byzantine Empire through the development of hymns, the music of the Mass and the Gregorian chant. The influence of music on the Byzantine Empire shaped their society in several ways. One type of music…show more content…
The kanonian hymns, which were introduced by St. Andrew of Crete, helped to bring together unity within the Church, which then spread outside of the church. John of Damascus also helped form words, which then translated into messages to the followers of the Christian faith, which influenced most the Byzantine Empire to follow a central God. Another hymn that was able to transform the Byzantine Empire was the kontakion. “The kontakion, according to Dimitri Conomos, is a ‘long and elaborate metrical sermon, reputedly of Syriac origin, which finds its acme in the work of St. Romanos the Melodos (sixth century)’” (Conomos). The kontakion are summaries of biblical scripture and now sung during the service of the Laudes in Western English churches known as the Orthros. The kontakion was sung in a syllabic style meaning one note per syllable. An example of this type of hymn is the “Kontakion on the Nativity of Christ”: “So, since they are your people, my Child, bid them come under your roof, that they may…show more content…
The troparion provided information on the Resurrection of Jesus and served as a basis to the liturgy. It helped Byzantine people to understand the importance of Jesus Christ and his relevance to their society. “In the Byzantine Rite, the troparion began as a repeated refrain during the singing of psalms” (Troparia). Also known as troparia, the troparion hymn was introduced after the kontakion in the 6th century into Byzantium in the 6th century. “The early troparion was also called stichēron and a very brief refrain may have been called syntomon” (The Editors of Encyclopedia Britannica ). Other labels of troparia imitate their content, manner of performance or liturgical position. There are also troparia for certain feasts and others that happen several times a year during church. “In modern practice most troparia are recited, although a few are still chanted” (The Editors of Encyclopedia Britannica ). “Ho Monogenēs” (“The Only Begotten Son”), a troparion hymn that was written by the Byzantine emperor Justinian I (reigned 527–565) still has a place in the
Open Document