Billy Pilgrim's Slaughterhouse-Five

998 Words4 Pages
In the novel, Slaughterhouse-Five, we are introduced to a veteran of World War II that encountered the bombing of Dresden named Billy Pilgrim. As the protagonist of this novel, we come to a distinction that Billy has become “unstuck in time.” During this process, we are familiarized to a number of personality versions of Billy. Through his difficulties of recounting disturbing experiences due to the bombing, Billy seems to be at ease when he’s a man who’s been kidnapped and living as a captive on Tralfamadore. Billy has claimed that he has been taken by aliens from Tralfamadore called Tralfamadorians. The novel exhausts that Billy has become “unstuck in time.” War is reality and can be a time when much doesn’t seem real or at simplicity. When…show more content…
Billy’s first so called time travel experience has to do with his return from the war. The post-traumatic stress that Billy encounters takes a toll on him. This time traveling was taken place at his daughter’s wedding. “He said he had been kidnapped by the Tralfamadorians on the night of his daughter’s wedding. He hadn’t been missed, he said, because the Tralfamadorians had taken him through a time warp, so that he could be on Tralfamadore for years, and still be away from Earth for only a microsecond” (p.26) This was not the case for Billy. This brings back the point of the theory of time. Time is effortless in the world of Tralfamadore, and Billy’s comfort of having time in the palm of his hand makes him so wrapped up in the disbelief of the Tralfamadorian’s time warp of saving time. His reality is that he actually misses his daughter’s wedding. Another example is that Billy doesn’t prevent his son from going to war. He simply knows that’s what supposed to happen. The Tralfamadorian philosophy has taken a turnaround for Billy’s comfort. It excuses him from trying to change what is set in time to happen. Billy thoughts have made him come to the realization that yes he has lived a horrible life and has gone through so much suffering, but he will die eventually, and so it…show more content…
Much of accepting death has to do with the Tralfamadorians theory about time and reality. Billy comes upon another Tralfamadorian experience in New York City. As Billy paces through the city, his eye captures an image. A bookstore that seemed to own a magazine that titled an insightful question on its cover. “What really became of Montana Wildhack? So Billy read it. He knew where Montana Wildhack really was, of course. She was back on Tralfamadore, taking care of the baby, but the magazine, which was called Midnight Pussycats, promised that she was wearing a cement overcoat under thirty fathoms of saltwater in San Pedro Bay” (p. 204). Billy states “So it goes”. This statement is Billy’s coping mechanism. He doesn’t want to subside the meaning of death, instead make it equal to all death like it’s not real. The magazine has stated that Montana is no longer living with the critic’s beating-around-the-bush comment of her passing. Montana Wildhack was a porn star/actress that the Tralfamadorians paired Billy up with. After living an uninteresting marriage with his wife, the Tralfamadorians gave Billy an effortlessness relationship with no strings attached. Billy still thinks that Montana is alive and well on the planet of Tralfamadore taking care of their six-month-old baby that they conceived. He claims that he just saw her completely fine and not dead. This holds true to the theory of the
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