way in the straight forward, text of non-fiction. Slaughterhouse-Five by Kurt Vonnegut is a testament to this fact. While often regarded as science fiction or metafiction, it nevertheless incorporates the real experiences of Vonnegut in the bombing of Dresden into the fictional story of the novel’s main character, Billy Pilgrim. With this fictional model
demonstrates how Kurt Vonnegut experiments with the narrative structure of his novel Slaughterhouse-Five. The study focuses on Vonnegut’s experimentation which assents to postmodern innovative virtuosity. On the outset of postmodernism, two critical issues have been raised. That is, the literature of exhaustion and the literature of replenishment dominating modern literature. Accordingly, this study explores Vonnegut’s critique of literary exhaustion prevailing modernism’s exhausted literary forms in order
Early on in Slaughterhouse Five, Billy Pilgrim tells his wife, Valencia, “‘It would sound like a dream’” (121) to tell her about his experiences in the war. Shortly thereafter, he becomes unstuck in time again, traveling back to his horrific life as a soldier in World War II. Making the connection between a novel with a theme of insanity to an Edgar Allan Poe poem seemed only natural. Poe, like Kurt Vonnegut, is a master of developing the topic in an ironic, dark manner, as seen in his short-story