the preconceived ideas of Bastardy in Elizabethan society, it can be seen that the illegitimacy of Don John, “Shakespeare’s most passive villain” is the root of his villainy. Prejudgment, to pass judgement without sufficient reflection, can lead us to misconceptions and error that may transform the image altogether. This pre judgemental attitude of Messina towards his birth circumstance plagues Don John, crafting him to be an arguably uninteresting
A very dominant theme in John T. Coifalo’s Goya’s Enlightenment Protagonist: A Quixotic Dreamer of Reason is remarkably unrealistic rationales1. This is emphasized by Coifalo’s consistent reference to Don Quixote; a story about an unnamed member of the Spanish nobility who becomes completely obsessed with the revival of chivalry and righting the wrongs of humanity under the façade of Don Quixote. Quixote is depicted as exceedingly idealistic and naïve. With this reference woven throughout the entire
developing “such widely diverse literary forms as the sea novel, the novel of manners, political satire and allegory, and the dynastic novel in which over several generations American social practices and principles are subjected to rigorous dramatic analysis” (Gray 49). Cooper felt committed to distinguishing American Language from British English In his works; he used native dialects of America to develop an American literary language as a sign of cultural independence. As the Second War of American
Conclusion A Comparative Study between Chitra Banerjee Divakaruni and Jhumpa Lahiri While the previous chapter of the thesis engages with an understanding of the second generation diaspora, writer Jumpha Lahiri in this chapter draws us to a comparitive analysis of two imagined worlds represented by the two authors Chitra Banerjee Divakaruni and Jhumpa Lahiri. The twenty first century or the new millennium is a witness to an increasing movement of people from India to the new world of the United States of
Woman: God’s second mistake? Friedrich Nietzsche, a German philosopher, who regarded ‘thirst for power’ as the sole driving force of all human actions, has many a one-liners to his credit. ‘Woman was God’s second mistake’, he declared. Unmindful of the reactionary scathing criticism and shrill abuses he invited for himself, especially from the ever-irritable feminist brigade. The fact and belief that God never ever commits a mistake, brings Nietzsche’s proclamation dashingly down into the dust bin