The emotive and empowering representation of Nature within Romantic texts allows for exploration of both the Romantic notion of the Sublime and the imaginative virtue of youth. In both the poetry of Samuel Coleridge and the film Bright Star directed by Jane Champion significant ideas are conveyed through analysis of the natural world, through which we are intellectually challenged by the depth of humanity’s relationship with nature as well as emotionally compelled by the valorisation of children due
. According to Greg Lynn, writer of “Folding in Architecture”, Deleuze’s concept of the fold is of exact prominence for this analysis of the “addition of alterations within a continuous yet heterogeneous system” for it offers “a theory of synthesis and unity that maintains detail as a discrete moment that participates intensively in the construction of a new kind of whole”-Lynn. Furthermore, according to architectural theorist John Rajchman in his thesis “Out of the Fold” from Folding in architecture
important ingredient of the Gothic to acts of transgression, and show how the home in Gothic fiction imprisons those inside it. The enigmatic “otherness” of Gothic lies in their monstrosity and non-humanity which reflects the scale of the domestic alterations, but also that of the inability for the inhabitants to make sense of