The Gothic is the study of the otherness; the unseen. It disturbs us as it is associated with anxiety, chaos, darkness, the grotesque and evokes images of death, destruction and decay. (Steele, 1997)According to Catherine Spooner in ‘Contemporary Gothic’ 2006, “The Gothic lurks in all sorts of unexpected corners.” It is incredibly broad - superstitions, the uncanny, the monstrous, the forgotten past, the Gothic feminine - to name but a few are all elements which combine to form this theme. The Gothic
of distortion and exaggeration towards such a purpose. O’Connor does not hesitate to distort appearance in order to show a hidden truth for an ultimate change. It so happened that when contemporary literary criticism hoisted objections to the grotesque nature of her fiction, faulting her lack of tenderness or compassion, O’Connor reminded them of her being incredibly judgemental God – a God who recognizes sin as such. She says that if one believes in Faith at all, sees it as something which can