Yellow Wallpaper Identity

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Jordan Feinberg Identity in Literature The concept of identity is a constant and persistent theme in “The Yellow Wallpaper” written by Charlotte P. Gilman. “The Yellow Wallpaper delves into the consequences of loss of identity from a woman’s perspective. In reading this story it is important to keep in mind that in the 19th century, women were discouraged from exercising intellect. On one level, the woman is aspiring to form her own identity in the midst of what “society” expects. Essentially, society is represented by the doctors and the woman’s husband in this short story. They expect her to get rest and remain isolated and detached from the rest of society during her recovery. The example of her remaining isolated is not just oppression…show more content…
John threatens her, which shows his authority more than ever when he wants to send her to Weir Mitchell. Weir Mitchell was the real-life physician where the narrator experienced a nervous breakdown. The narrator is alone most of the time and starts to become almost fond of the wallpaper, and figuring out this pattern has become her primary form of entertainment. Her obsession continues to grow and the sub-pattern of the wallpaper becomes clearer: “And it is like a woman stooping down and creeping about behind that pattern.” Eventually the story progresses and the wallpaper begins to dominate the narrators mind. She represents behaviors of possessiveness and secretiveness. She makes it her mission to find out what the wallpaper represents and does not want anyone else examining it. This is the part in the short story where she is struggling with her identity, she has no other choice but to be secretive about it. The female narrator is on a mission to find herself, despite her controlling husband. Later on in the story the paper becomes clearer: “And she is all the time trying to climb through. But nobody could climb through that pattern—it strangles so…” The narrator mentions that she too creeps…show more content…
She decides to destroy the wallpaper once and for all, peeling much of it off during the night. She manages to be alone with the wallpaper and goes on a bender, biting and tearing the paper to free the trapped woman whom she sees inside the pattern. By the end, the narrator is insane and convinced their are many creeping women around and she has come out of the wallpaper herself. Her husband finally breaks through the room she had locked herself in and faints. She has zero sympathy for this and the story ends: “…so that I had to creep over him every time!” This is an interesting ending because although she went “insane”, the narrator was finally able to break free of her husbands control in a sense. The strongest quote was in the final scene just before John breaks into the room. The narrator has finished tearing off enough of the wallpaper so that the woman she saw inside is now free. The narrator and the once trapped woman become one. This is a moment of full identification when the narrator makes the connection she had been avoiding. This woman was herself: “I don’t like to look out of the windows even—there are so many of those creeping women, and they creep so fast. I wonder if they all came out of that wallpaper as I did.” This is identifying with the fact that other woman may have struggled with the feeling of entrapment just like herself. This short story is ultimately about the
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