Willy Loman's American Dream

1519 Words7 Pages
The optimism of Willy Loman’s character originates in the fact that his final act is one of agency and choice. Despite every internal and external force working against him, he seizes control of his fate and actively chooses to end his own life. Willy idealizes the proper death of a salesman, which is established during his speech to Howard, “what could be more satisfying than to be able to go, at the age of eighty-four, into twenty or thirty different cities, and pick up a phone, and be remembered and loved and helped by so many different people? ... [Dave Singleman] died the death of a salesman, in his green velvet slippers in the smoker of the New York, New Haven and Hartford, going into Boston.” (Miller, 81) By killing himself in the Studebaker,…show more content…
In the internal struggle with his draw to adventure, Willy combats the norms established by his Capitalist, work-centric lifestyle. Multiple scenes in the story demonstrate his wish to work with his hands, able to see an immediate physical result of his manual labor. However, his ties to the corporate system and need for money prevent him from doing so. This final act is an attempt to escape the confines of city life by following his brother into the jungle. In this text, ‘Alaska’ and ‘the Jungle’ are not just geographic locations, but metaphysical spaces of pure escape from and resistance to the constraints of a Capitalist economy. As a result of this, suicide is both the climax and conclusion of Willy’s existence. Everything prior leads up to this breakout from the prison Willy constructed for himself and for Biff. When Willy finally seizes control of his own life, and follows his brother by actively choosing suicide, he reestablishes his own agency, and escapes his descent into mental instability and…show more content…
Throughout the play, she is trapped by two external forces: money, and her husband Willy. Her escape from the first cage, money, is apparent during her final monologue. “I made the last payment on the house today,” Linda says, “We’re free and clear.” (Miller, 139) Throughout her and Willy’s lives, money had been their greatest motivating factor. This freedom is a life-changing, world-altering event for a woman who has lived her entire life worrying if she and her husband will be able to pay the bills. Earlier in the text, when Linda first mentions that soon they will no longer owe anything for the house, she speaks of it as a sort of fictitious dream rather than a concrete fact. Repeatedly, Linda is shown mending her stockings, and chastised for it by Willy. This is not only a symbol of their poverty, but an allusion to the fact that one of Linda’s constraints goes hand in hand with the other. The second force keeping Linda from freedom is her husband Willy Loman. Linda’s love for Willy is an absolute, which makes her unable to fully accept his faults. Even when telling her sons about Willy’s attempts at suicide, she says, “it’s so hard to say a thing like this! … I tell you there’s more good in him than in many other people.” (Miller, 59) Despite seeing the evidence of his failures, she is unable to completely believe they make him less of a man than they both pretend he is, until the final scene. Once again,
Open Document