PARAGRAPH 1 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is perhaps one of the most amusing movies I have ever seen. The film overflows with various bits of comical genius, all inspired by producer and director Stanly Kubrick’s opinions of war. Peter Sellers gives an outstanding performance in each three of his roles (Dr. Strangelove, Captain Mandrake, and President Muffley), and has impeccable timing with his facial expressions and comedy driven behaviors. Combining a sardonic
TThe film Dr. StrangeLove, or How I Learned to Stop Worrying and Love the Bomb is satirical as a narrative, and I believe that the message of it was not to trust the officials in charge, and that the soldiers are the true heroes of war. One example of this is the illusion to sex throughout the film, which seems to be some of the main characters only concern. This idea shows up numerous times, starting with the solider looking at a Playboy magazine, the sex image of the secretary, the secretary calling
highlights that perhaps what seemed like the end, planted seeds of beginning. John Le Carre’s ‘The Spy Who Came in From the Cold’ and Stanley Kubrick’s ‘Dr Strangelove’ demonstrated this shift as a zeitgeist of the current dangers that were philosophised, politicised and what fostered religious and scientific meaning. To all the rationalists that ask, “How?” Well… let me show you. The Spy novel in 1963 intrigued, shocked and alarmed thousands of its readers. Why, because this was a story that tackled