William Shakespeare’s Othello can be interpreted through many critical lenses, including gender theories, feminist theories, and class structure theories; however, the most prevalent ideas included in Othello allude to race and race theory principles. Through the syntax and imagery Shakespeare utilizes, the motifs of light and dark are painted to emphasize not only the difference between races, but also to emphasize the goodness of white and the badness of black, and to create tension and conflict
elements which combine to form this theme. The Gothic as a genre is not something which just emerged ripe and ready for exploitation into the modern era. (Spooner, 2006) It is profoundly concerned with the past, it has a history. The aim of this extended essay is to focus on the seduction of the Gothic
sole driving force of all human actions, has many a one-liners to his credit. ‘Woman was God’s second mistake’, he declared. Unmindful of the reactionary scathing criticism and shrill abuses he invited for himself, especially from the ever-irritable feminist brigade. The fact and belief that God never ever commits a mistake, brings Nietzsche’s proclamation dashingly down into the dust bin of nonsense. Whatever Almighty God has created is beautiful and useful. His creative powers are fabulous, beyond