whose conceptual framework in The Craftsman is canonical in craft research. We will first introduce the core concepts of this framework, and then demonstrate how it can be integrated with the three characteristics of Technocrafting. Sennett emphasizes that craft practice entails "the desire to do a job well for its own sake", which he believes to denote an innate human impulse [60 p.9]. Sennett furthermore extends the concept of craft practice to signify a condition of deep engagement, rather
India’s magic lies in its arts and crafts. The multitude of variations we see in the art form north to south and east to west is unique in itself. The art forms are a reflection of our society and the thus the artisans form an important link between the society and culture. Recent studies have estimated that around 7 million artisan are a part of non-farm rural economy in India which translates into a major stakeholder (Jena, P.K in Orissan Handicrafts in the Age of Globalization ). “They translate
2.1.1) Ancient India crafts: The first references of Indian crafts were found in the remnants of INdua valley Civilization (3000 B.C.-1700 B.C.). The Indus valley civilization had a rich craft tradition. Metal and clay were main ingredients. It has also got a technical brilliance in the arena of pottery- making, jewelry, threading, various sculptures like metal, stone and terracotta etc. Handmade objects were mainly used for utility purpose and also excess items were exported to ancient Arabian
This is a group essay that will be discussing the topic:Art and craft and Art nouveau 1. The essay involvedfive students who each had a task to do sections of the assay inorder to combine all information researched to complete the essay. Anelani had to research on art nouveau,Neliswa on industrial revolution, Anita about the arts and craft movement, Deborah and Sandiso each researched about the reformation and reaction that would inspire the mid-19th century design. Figure one to six on the assay