Golden Age of Spain. Lope de Vega's masterpiece exhibits a three act structure that combines comedy and tragedy and a mixture of characters from a widely varied social stratum. Vega's use of verse and lyricism is generously applied to each character, led by their emotional connection to the story, instead of maintaining a strict adherence to the precepts of the language of a particular
Woman: God’s second mistake? Friedrich Nietzsche, a German philosopher, who regarded ‘thirst for power’ as the sole driving force of all human actions, has many a one-liners to his credit. ‘Woman was God’s second mistake’, he declared. Unmindful of the reactionary scathing criticism and shrill abuses he invited for himself, especially from the ever-irritable feminist brigade. The fact and belief that God never ever commits a mistake, brings Nietzsche’s proclamation dashingly down into the dust bin
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