In David Henry Hwang’s M. Butterfly, Hwang poses a narrative that is rife with Western stereotypes on what the East is like. These stereotypes get turned on their heads through the use of the relationship between Song, and Rene Gallimard. Gallimard is struck by the idea of the submissive Asian woman, which allows him to fall for Song’s trap. Song plays the role of Chinese spy, and the role of the quiet lover. The relationship fails to work without the prevailing obsession with orientalism, the idea