His Coy Mistress

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In Andrew Marvell’s poem, “To His Coy Mistress,” the speaker of the poem attempts to seduce a woman by providing “logical” arguments as to why she should engage in the act of love making with him. Assuming that he succeeds, this situation would be handled very differently if it were to take place in the present day, as opposed to it happening in the seventeenth-century. In his first attempt to get his mistress into bed with him, the speaker of the poem surprisingly does not start off with an argument. Instead, the speaker attempts to lure in his mistress with soothing tones and dreamlike illusions. “Had we but world enough, and time, / This coyness Lady, were no crime” (Marvell 435). The speaker first points to the idea of endless time and…show more content…
In doing this, he will more easily be able to present his arguments to her now that her mind is in a “dream-like state” from his vivid descriptions of a magnificent world. The speaker paints a picture of what it would be like if he and his mistress had all the time in the world. “We would sit down, and think which way / To walk, and pass our long love’s day” (Marvell 435). The speaker talks about how having all of this time would be such a delight because they could sit down, think about where to go, and make decisions about anything. He shows his mistress how life could be like a movie in slow motion, and everything could run smoothly and effortlessly. He lays out this appealing “fantasy world” to his mistress in order to draw her in so that he may continue his following arguments with…show more content…
This “winged chariot” is alluding to the Grim Reaper coming after them to take their lives. The speaker is saying that at his back he can see that life is catching up with him and his mistress. He is now bestowing fear and pressure upon his mistress in order to make her realize that life is too short. He also argues that there is no life after death and only “deserts of vast eternity” exist (Marvel 436). The image of the desert and the miles of sand represents the destruction of everything. He wants his mistress to see that the sand is actually people who have died and were granulated up, alluding to the idea that “this is all we become.” The speaker believes that there is no life after death and that all we are in this world are grains of sand waiting to be destroyed by time. “Thy beauty shall no more be found / Nor, in thy marble vault, shall sound / My echoing song…” (Marvell 436). The speaker tells his mistress that her beauty will be of no use in the grave because she will be in the ground where no one will be able to appreciate her. However, he will appreciate her while she is alive, in fact, every part of her will be appreciated by him. Specifically, two hundred years will be used to appreciate each one of her breasts, and thirty thousand years will be used to appreciate everything else (Marvel 436). But when she dies, no one will appreciate her beauty which is why the speaker tells
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