Egyptian Art Research Paper

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Ancient Egyptian art revolved around a culture centered in religion and the after-life that evolved for over three thousand years. Egyptian art dates back to 3100 BCE, and is considered the biggest contributor to late Neolithic art form. It is the most studied and probably well known form of ancient art in the Mediterranean. Egyptian architecture is easily the most well-known and recognizable form of Egyptian art, but they’re writing styles in the form of pictures and symbols, known as hieroglyphics, is what really helps define the Egyptian culture. This hieratic style of paintings and stone carvings depict human passage into the afterlife and the glorification of the gods. It is most important to note that beyond this religious depiction,…show more content…
Though the human figure and the world was depicted as recognizable, the artists were instructed to only create what had already been done before reaching a style of order and continuity by using very recognizable and precise shapes and colors. Using a style so distinctive and unmistakable helped to support the pharaohs and dynasties that held power. Though centered around religion and the after-life, Egyptian art sought to preserve the world as it was but rather in a more idealized and ever-lasting sense. Some examples of the precision and the rules to be strictly followed are seen especially in sculptures and paintings. Statues were seen as physical representations of gods and goddesses, with male statues being darker in color than females. The human figure had a defined portrayal, usually viewing the head from the side and the torso usually being depicted from the front. This style helped establish continuity and stability, but also makes Egyptian art unmistakable and distinctly different from other civilizations from that same…show more content…
It is a relief structure carved into a small dark green schist stone slab with a circular depression, that focuses on human activities. The stone was created as a commemorative piece celebrating the unification of upper and lower Egypt by King Narmer. This piece depicts the usual figure representation from the side, using hierarchy of scale to show the importance of the individuals being depicted. The most notable being King Narmer, relatively larger than all other figures on the tablet, signifying his greatness and power. Each scene on the tablet is organized into horizontal zones known as registers. Each register depicts a different significant scene that represents the unification of

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