In the forest, Rama caught the eye of Surpankha, sister of Ravana who is the most powerful king of Asura. Rama and Lakshman both rejected Surpankha. Lakhsman even mutilated her nose. Offended and hurt, she came to his brother for help. As a revenge for his sister, Ravana abducted Sita. The brothers sought the help of the monkey king, Sugriva, to find and rescue Sita. Before agreeing to help them, Sugriva first asked them to kill his brother Vali. When this was done, they sought Sita. Sugriva’s
Snow White: Objectification of women and her enduring innocence Snow White is a character who gives us immense hope about the world we live in. She exudes humbleness, generosity and mostly innocence that’s rarely seen these days. She is one of those rare gems that can bowl you over with her meekness. Walt Disney’s movie Snow White and the Snow White story has one thing in common that the evil monstrous step mother who seems to starts all the situations learns an awful but important lesson
Searching for the Elusive Tragic Hero: a Historical Analysis of Antigone by Jean Anouilh Jean Anouilh’s Antigone was first performed in a theatre in Paris, 1944. During this time, Europe was still in the midst of fighting World War II and Hitler’s Nazi-regime had already defeated and occupied France. This shift in governmental power caused dissension among the citizens of France; the population was split between those who supported France’s collaboration with Germany and those who opposed it (“1944”)
stratums. The Victorian society had a “three-class model of social structure”, according to R.S. Neale, and can be conveniently categorised into “aristocracy, middle-class [and] working class”. This essay will be examining the issue of class through the analysis and comparison of Pip, Miss Havisham and Joe Gregory. While Miss Havisham and Joe represent the two opposing ends of the spectrum, Pip is the mobile change from one
The Dispossessed Following World War I, novels describing utopias gradually decreased in number, until the genre almost went extinct in mid-century, being replaced by dystopias like the famous Nineteen-Eighty-Four written by George Orwell. Later on, in the mid-seventies, fuelled by the upsurge of social reform that began in the late sixties and continued into the new decade, new utopias graced the scene, the most memorable ones being Ernest Callenbach's Ecotopia, Samuel R. Delany's Triton, and