tradition and secularization became more prevalent. In Kenneth Branagh’s The Magic Flute, an adaptation of Mozart’s final opera, which as Subotnik states is an “artistic masterpiece”, there is much symbolism. Although there are many binaries and themes in the film, such as love, good vs evil, brotherhood, and humanism, enlightenment is the most prominent and therefore the central theme of the film. In Kenneth Branagh’s The Magic Flute (2006), sound and visuals work together to support the unfolding of this
little or no plot, leaving the reader confused about its conclusion. However, this perception leaves room for analysis. With an essential message relating to society’s current attitude, her story conveys the nature of humanity. Through the use of symbolism, LeGuin explores the injustices of society. LeGuin opens “The Ones Who Walk Away from Omelas” by defining Omelas as the Festival of Summer, writing that the “boys and girls [were] naked in the bright air” (LeGuin 380). A suggestion to the Garden