to be empowered in the same cruel way feminist critics have decried male readings as sinful of – to deny the sanity of a woman figure in order to emerge victorious. In writing a prequel that accords Bertha a voice which Brontë has denied, Rhys posits Ber-tha Mason as alienated, neglected and misunderstood by Bronte and other critics of the book. Her reading of Jane Eyre arguably becomes even more feministic than Jane Eyre itself, when she recognises how Brontë upholds the same phallocentric assumptions