W.H Auden's poem Musée des Beaux Arts and Giorgio De Chirico's painting The Child's Brain share cooresponding themes dealing with forms of childlike blindness. Similarly, The Child's Brain independently presents a focal point of a character quite androdgenous in appearance. As the title suggests, the man may have the mind of one much younger than he, or simply be harboring childlike thoughts. Musée des Beaux Arts however, involves the issue in which humans are so caught up in their own affairs, significant
understanding of human suffering within their masterpieces. W.H Auden’s “Musée des Beaux Arts”, Brueghel’s Landscape of the Fall of Icarus, and Anne Sexton’s “To a Friend Whose Work Has Come to Triumph”, share a unique, yet meaningful message. All three pieces pertain to the myth of Icarus and convey the idea of humanity’s indifference towards suffering, each with a unique style and structure. Auden’s “Musée des Beaux Arts” demonstrates human indifference towards suffering with a contemplative,
McCullers suffered throughout her life from several illnesses and from alcoholism. She had rheumatic fever at the age of 15 and suffered from strokes that began in her youth. By the age of 31 her left side was entirely paralyzed. She lived the last twenty years of her life in Nyack, Newyork, where she died on September 29, 1967, at the age of 50 after a brain hemorrhage; she was buried in Oak Hill cemetery. Shortly after her death, the first film adaptation of “Reflection in a Golden Eye” was