The concept of the ‘proper feminine’ is questioned when in relation to the two texts that I will discuss in this essay, Elizabeth Gaskell’s ‘Mary Barton’ and Christina Rossetti’s ‘Goblin Market’ . If anything, these two texts use specific language to reveal a representation of the ‘improper feminine’. Throughout both texts sexual and religious connotations are used, these connotations help to highlight the unstable, contradictory and uneven conceptualization of feminine gender and female sexuality