This essay serves as a way to understand the intertextual relationship between Hamlet and Frankenstein; Or, The Modern Prometheus, by showing readers the difference between revenge and retribution, as well as what prompts each of these two ideas, the influence of a father figure (or lack thereof) on a son’s moral compass, and the introspection of Hamlet and the Creature in what they are and who they become on their journeys of revenge. On the surface, the ideas of revenge and retribution are one
Greek and Victorian culture, there are many standards that must be upheld especially through a family within political power. This essay will attempt to prove that although these women are married, when accused of scandalous infidelities, they have the ultimate autonomy to chose how they wish to be portrayed within their society. Throughout Shakespeare's Hamlet, Hamlet’s mother, Gertrude, is accused many times of being unfaithful within her marriage. “You are the queen, your husband’s brother’s
force of all human actions, has many a one-liners to his credit. ‘Woman was God’s second mistake’, he declared. Unmindful of the reactionary scathing criticism and shrill abuses he invited for himself, especially from the ever-irritable feminist brigade. The fact and belief that God never ever commits a mistake, brings Nietzsche’s proclamation dashingly down into the dust bin of nonsense. Whatever Almighty God has created is beautiful and useful. His creative powers are fabulous, beyond the purlieus