Irony In Shakespeare's Much Ado About Nothing

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Shakespeare’s plays were written with a wide audience in mind. People from all walks of life and varying levels of wealth and education enjoyed his plays and he wrote accordingly, including elements of comedy that would apply to all. His play Much Ado About Nothing contains clever bouts of wordplay and situational, verbal, and dramatic irony to please the educated upper classes as well as base humor, sexual innuendo, and slapstick to cater to the baser preferences of the uneducated masses. Cumulatively, these variegated devices form a versatile comedy that has withstood the test of time. Firstly, Shakespeare pays homage to the lower classes of his audience with an abundance of sex jokes. For example, Leonato jokes that his wife has assured…show more content…
Eventually Margaret supplants some wit of her own, prescribing Beatrice Carduus Benedictus when Beatrice says she feels ill. When Beatrice starts at Margaret’s thinly veiled reference to Benedict, Margaret plunges into a deliberately innocent sounding paragraph where she says she knows both Beatrice and Benedick swore they would never marry, but Benedick changes yet with the underlying meaning being that Beatrice and Benedick should just get married (p.53). Also during Claudio and Don Pedro’s public shaming of Hero at her wedding, Benedick quips “This looks not like a nuptial,” showing his overwhelmingly sarcastic nature (p. 58). Don Pedro later shows a more dryly ironic tone when he parodies Dogberry’s poor use of language, saying, “First, I ask what they have done; thirdly, I ask the what’s their offence; sixth and lastly, why they are committed; and, to conclude, what you lay to their charge?” (p.…show more content…
Dogberry and Verges, believing themselves to be more intelligent than they really are, consistently use ill-matched or even completely opposite words in their everyday speeches, such as substituting “salvation” for “damnation,” “comprehend” for “apprehend,” and “senseless” for “sensible” (p. 47). When Dogberry and Verges bring Borachio and Conrade before the sexton, they proceed to accuse them of all sorts of crimes while neglecting the one they committed, declaring perjury for calling Don Pedro a villain and accusing Borachio of theft when he admits he was paid a thousand ducats to slander Hero (p.
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