Shakespeare’s plays were written with a wide audience in mind. People from all walks of life and varying levels of wealth and education enjoyed his plays and he wrote accordingly, including elements of comedy that would apply to all. His play Much Ado About Nothing contains clever bouts of wordplay and situational, verbal, and dramatic irony to please the educated upper classes as well as base humor, sexual innuendo, and slapstick to cater to the baser preferences of the uneducated masses. Cumulatively
differs from that of an audience at the time the play was written. Shakespeare's play Much Ado About Nothing, one of the best examples how standards change over time, talks about the position of men and women in society, dignity and marriage. Characterized by dramatic irony, the play leaves different impressions on people depending on the time period in which they live. However, the romantic interactions between men and women in Shakespeare's time, to control and conform, remain familiar. Throughout
essay, that hold functions of disguise, and altered identity is Shakespeare’s ‘Much Ado about Nothing’ and Marlowe’s ‘Dr. Faustus’. Both texts were written and presented as plays on stage in the renaissance period and whereby they hold vast differences in production towards disguise and altered identity there are nevertheless some similarities also. Firstly in ‘Much Ado about Nothing’ the theme of disguise is hugely evoked and Shakespeare’s use of masking portrays this massively. Inevitably the fact
disappointment”. To what extent is this true of marriage in Much Ado about Nothing? Marriage is at the heart of Much Ado about Nothing; from the very beginning of the first scene to the very last, marriage is a constant reference. However, even though the play is a typical Shakespearean comedy, it raises some significantly serious issues such as that of marriage. Marriage is normally associated with happiness, respect and companionship. Shakespeare’s portrayal of marriage suggests that to a great extent
‘To what extent is the comedy of the play dependent upon the Fool?’ In Shakespeare’s Twelfth Night, we are presented with various characters and plots which supply the play with comedic elements due to the role they play. The comedy of Twelfth Night is predominantly stemmed from the ‘foolish’ characters and the scenarios they are involved in. Write here about traditional definition of fool etc. Almost every character in Twelfth Night is portrayed as a fool in some sense, and there are two main
Shakespeare. The idea of this comic form is to highlight the incapability and stupidity of society in its day. Satire uses humour, irony, exaggeration, ridicule to expose and criticize people's stupidity, particularly in the context of contemporary politics and other topical issues; for example, the relationship between Beatrice and Benedick. Additionally, dramatic comedy uses farce which is the concept of buffoonery and horseplay and typically includes crude characterization and ludicrously improbable