that does not stop people to commit this act. Iago cleverly controls the thoughts and actions of his enemies to better his situation in the play, Othello by William Shakespeare. Even today, we see this type of personality in politicians that do the impossible to make you believe in them to gain your vote. In Othello, the antagonist, Iago, depicts this very effectively. Iago’s manipulative behaviour is undoubtedly shown through his deceitful schemes to ruin the lives of the people who get in his way
and The Tragedy of Othello, the Moor of Venice is no exception. Each reading of Othello yields new revelations and demonstrates the intricacies of Shakespeare‘s work. The play’s protagonist, Othello, can be seen as being overly trusting of Iago. However, this is not the case, Iago deceives many characters, not just Othello. Moreover, Othello’s actions are based on seemingly physical evidence, giving him good reason to act. Indeed, Othello has no reason to distrust Iago, his loyal ensign. Throughout
not disappoint in his creation of the character Iago in his tragedy Othello (Sanfacon). Iago is accredited with being one of the most heinous villains in all of Shakespeare’s works. Dissolute in being, Iago blamed others actions on his own malevolence and used his reputation as the “Honest Iago” to attain selfish gain (II, III, 355). When Iago sparked the match of doubt in Othello, he indirectly led to the downfall of many fellow characters in the play and the deaths of Othello and Desdemona. Despite
These phrases show that Iago sees himself as the human hunter. He verbally changes people who are thought of as humans into animals over whom he has control and dominance. Iago will control how they perceive the world and eventually trap them by means of these fabricated perceptions. As Iago kills his wife, Emilia, he follows through with the above explored male-hunts-female relationship. He kills her at the point that she is no longer running from him, at the point that she is no longer obeying