unrealistic expectations were still set that idealized the woman with no flaws. As the Renaissance continued to gain momentum throughout Europe, though, “Ideal beauty could not simply be copied from a single exemplar found in the natural world. Instead, ‘excellent parts should all be selected from the most beautiful bodies.’” (Corry 580). Artists such as Raphael believed it was close to impossible to find a beautiful woman in the world, so instead of using natural characteristics that were viewed as beautiful