photography is the goal here for me, to look into how artists aim to get that emotion and how they go about getting it from their models. Photographers that I look into for this project will be based on the feeling that I get from looking at their work and the common feeling that is in every single shot of theirs. This emotion is ‘Loneliness’. Capturing the right emotion, especially in portraits is so important. You cannot expect a viewer to be interested if they don’t feel a connection to the photograph
The following essay looks into the hidden truth behind superhero’s and the masks they hide behind. The topic about superhero’s and why they hide behind their masks and costumes. From what I have seen in most movies most superhero’s hide behind masks mostly to protect their identities and protect their families and friends. Moreover these superhero’s mostly have super powers that make the different from everyone else. They most definitely all the time face evil and enemies that threaten the human
newspaper delivery boy and his stint as managing editor of the Johns Hopkins University campus newspaper. The chapters narrate significant episodes or portray characters who exerted a strong influence on Baker’s career. . “Uncle Gene” is an affectionate portrait of his mother’s brother, who lived with the Baker family on Marydell Road in Baltimore following World War II.More persuasive influence was his mother. Baker frames the story with discussion of his mother's ambition for him. Constantly urging him
death, God and spiritual quests.K.S.Na’s very popular NinnaHesaru (Your Name) begins with how a name haunts the poet in blushing lotus petals, tolling bells of the temple, the eyes of a jumping calf, in everything in and around, finally binding the self with the soul. Adiga’sMy Lotus Red begins with the blooming beauty’s sensuous impact on the passers-by, wind, bees and water but the emergence of the golden rayedSun pales worldly attractions as the blushing Lotus turns towards the Supreme Power. If
lives? What is our relation to light, darkness, and color? How do we acknowledge our construction of reality through our senses and lenses? Through diverse subjects centered around Body / Mind (self-portrait, the bare body, a surreal moment, metamorphosis,
aesthetic appeal—is more or less indisputable today. The roots of theatre in India are ancient and deep-seated. Theatrical expression of some kind or the other has been since primitive and mythic times, an integral part of Indian life. Our knowledge about the initial, primitive stage of theatrical activity in India is very meagre. However one can safely say that theatre in India as in Greece was deeply embroiled with religion and the theatrical activity in India as in other cultures “began with primitive