City Of God Analysis

727 Words3 Pages
The movies “City of God” and “Blindness” were two films directed by Fernando Meirelles , a Brazilian film director, producer, and screenwriter. “City of God” was his best known film, released in 2002 in Brazil where Fernando was nominated for an “Academy Award for Best Director”. While “Blindness”, a Brazilian-Canadian film, was released in 2008. Although both of them were related to violence, inhumane and harsh behaviour but they were different to the extent in film location and editing. The film location or photography station is contradictory in the two movies. “City of God”, the icon of Brazilian cinema, took place in slums constructed by Rio de Janeiro to isolate the poor people from the city centre. It was one of the most dangerous places…show more content…
It was desolate city, gloomy and full of dirt, no one was living there except blind people. In short, choosing the film location is one of the most important aspects of filming. Second, editing plays a vital role in weeding out or fixing any mistake made during the production process. In “City of God” lighting and colours are used differently in two eras in the film. The first era sees a gold tint and almost harsh light to it. The colour not only represents the hot temperature of favela, but also represents the golden age of the favelas. The second era is very different to the first, the golden colour and bright lighting are discarded for a brown and grey colours and dark lighting, which is representation of the war of the drug dealers. On the contrary, Meirelles makes the most of his camera, washing out the film’s colours to emulate the “white” blindness. First he uses white colour which is representation of the blindness. Since in most films everything is based on eyes, he cuts to show where the character is looking, and the scene he sees not as darkness but as total blank-page whiteness. Second, Fernando uses pale colours which tend to grey and dark colours like black to show…show more content…
There was no electricity and no lights. Also the use of pale colours in the city when the blind people went outside the quarantine to show how the life became miserable after the migration of residents and bigwigs. At the end bright colours are used when everything began to return to its normal condition and people started to get their sight back. Although the two stories were very different but there were points in common between them. In both films, poor people in City of God and blind people in Blindness, were isolated and separated from the outside world. In addition, many people were too brutalized by violence and poverty, where the men with guns robbed, killed and threatened in order to gain power. In fact, Fernando always gives his films a special sense by shedding lights on social problems we face everyday, but it is ignored due to the blindness and the corruption of the government and
Open Document