African American Theatre

745 Words3 Pages
Theatre is an aspect in all cultures. It gives the inhabitants a chance to express their society, culture, religion, and history. It is always evolving and changing, however aspects of early theatre can still be found in today’s society. African and the Americas early theatre is no exception. African theatre contested throughout the continent are defined as cult, dance, ceremonial, the plastic arts, rhetoric, music, and spectacle (Brown, 93). Although, the development of theatre in Africa and the Americas has differences, both African and American theatre brings their communities together as a whole in ways that can still be seen in today’s society. African theatre had many interesting aspects to create their performances. An integral part…show more content…
“Each performance consists of eighteen or more scenes in which a single mask or a group of masks improvises on a synopsis hinting at a story, a situation, a character a state of being, or a magical power” (Brown, 97). In today’s theatre, there is not a lot of use of masks. Masks have been replaced by stage make up to transform the actor into another being. One musical today still heavily uses the idea of masks and that is the shoe The Lion King. African dramatic performances also had the idea of a musical aspect to their performances (Jayathilake, 1). Music was a central piece of dramatic performances for Native Africans. The language of African tribes is a very tonal and rhythmic sound (Brown, 97). This is very similar to the sound of a beating drum. This created another level of expression to the performances. It gave the performers a chance to say their lines while adding in animated movement to emphasis what they were saying to the audiences. Song was also important when celebrating an everyday-event/occurrence such as birth, weddings, or something as small as rain. In order to increase the theatrical experience, masks were also a part of performing. The idea of masks and music…show more content…
They did not want to leave out a single detail because they were afraid that would send their prayer into a downward spiral and cause something bad to occur. One way they made sure to express their plea to a god was through mime. The connection between the rhythmic beats, masks, and mime expression helped to keep the imitation as precise and real as it could be. John Russell Brown describes the uses of mimic expression as “ subjective expression and objective imitation” (Brown, 96). A narration or speech can also be presented in a mimic or dance format (Brown, 96). Not every performance entailed all of these aspects of performance. However, they were all key parts in early African theatre. Performers in Egypt could have earned a high honor of being a part of an elite society for the Pharaoh (Brown, 94). This idea can still be seen in today’s theatre society. The Actor’s Equity Association otherwise known, as Equity is a labor union for actors in theatre productions. Many aspects of African theatre can still be seen in use in today’s theatre and performance
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