said, “Life and death are one thread, the same line viewed from different sides.” In “Death of the Moth” an essay, by Virginia Woolf (1941), Woolf explains the struggle between life and death. The idea that life and death is a flounder is evident through Woolf’s abstract diction, ominous tone, and underlying metaphors expressed throughout the essay. As the narrator in Woolf’s writing observes the moth, she sees the creature as a metaphor for life. The narrator describes the moth as it moves from
life, about death. In Virginia Woolf's “The Death of the Moth,” she explores the life and death continuum while drawing her readers into her own realizations of them using a moth as a tangible subject. Woolf utilizes her levels of language to manipulate her audience to take on the role of what her tone is suggesting and leads them to her ultimate conclusion through sympathetic pathos, juxtaposed diction, bookending structure, and her overall appeal to the audience’s humanity. Woolf draws the reader
Surprisingly, it was her almost immediate response to his death that inspired Krasner’s “The Seasons”. At first glance one could easily pass this piece of work, merely taking into account its colors and shapes. Using primarily greens, pinks, browns, and ivories, these shapes appear as abstract flowers, leaves