what makes a film historical was just that the film had to show events from the past in a coherent order. Through referring to the film I used in the introductory essay, Carl Theodor Dreyer's La passion de Jeanne d'Arc (1928) and how Arthur Penn's Bonnie and Clyde changed by views, I will reflect on how my views have changed on how film as an instrument for historical analysis have been changed. I will do this through reflecting how my views have changed through what makes film a historic film,
Bonnie and Clyde was a film that introduced America to the thrill-seeking life of an outlaw couple, and also was the first American film that seemingly celebrated the criminal lifestyle. Traditionally, films tended to portray criminals as the antagonists, and those trying to stop them as the protagonists. However, Arthur Penn switched the roles of the villain and the hero and created a film in which the audience was meant to sympathize with the outlaws, thus changing the notion that all protagonists
a whole genre of revisionist Westerns and made the careers of both its director and the star who played its nameless antihero. At home, Yojimbo inspired a wave of "cruel films," known for their similarly black-comic tone and cavalier approach to violence. Yojimbo's influence continued to be felt far and wide. There was an authorized remake, Walter Hill's Last Man Standing (1996), which