vegetable leather armor, when reflected by the sunlight, takes on the appearance of polished black metal. The custom headpiece created by Julien d’Ys references a knight’s helmet. It frames McMenamy’s face, while also introducing an anachronistic element to the image of the medieval knight—amalgamating the contemporary and the medieval. Walker does not particularly draw the viewer’s eye towards the clothes, since they are primarily enveloped by the shadows. In creating this medieval fantasy, he continually
characteristics include realism, authorial expressivity, non-linear narrative, open endings and psychologically complex characters. In the 400 blows, Truffaut creates a recognisable world for his characters to reside in. This recognisable world adds an element of reality that allows the art cinema to be considered as a realist film. The art cinema shows its audiences the problems of the real world, in the real world, through the use of characteristics such as filming on location. Being influenced from the
As the size of the ad, area and location and the colors used and the form of advertising and design, and the variation in the elements and movement, and all this serves to draw attention to the ad as a whole and as a unit, so that the viewer is keen to see the same ad more than once. Secondly, the attractiveness of the advertising message and means of grooming used in the message