Solo Tuba Music Analysis

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This piece is originally written for the iconic twentieth-century tuba virtuoso Roger Bobo in December 1966 while Roger Bobo and William Kraft were member at the Los Angeles Philharmonic. Encounter II for Solo Tuba is a part of Williams Kraft’s Encounter series. The piece was included in a principal tuba audition for New York Philharmonic in 1979 as well .This piece contains many difficult techniques for tuba such as a very wide range of the instrument, pitch shifting, Multiphonics, Glissandi, and rapid half-valves technique. These techniques are challenging; however, they help the tuba players to greatly develop their skills. Moreover, it is expected that these documents show the multitudinous genre of music. William Kraft has mentioned about his Encounter II for solo tuba in the book, Program Notes for the Solo Tuba, which compiled and edited by Gary Bird in 1994 that: ""From the multitude of techniques that evolved, I chose those which I felt were best suited for a piece that was basically expressive along relatively traditional lines. I wanted the challenge of writing a set of variations for a solo instrument that would create the illusion of accompanying…show more content…
Recently, the majority of theorists believe that Encounter II thought of the musical set theory. The number of the music theorists specified that the composer used the twelve-tone technique to compose Encounter II. This mentioned in Kraft’s video, recorded by Theodore Presser Company in 1980, that he took a concept from twelve-tone technique and revised it with his own vogue at that moment. He also included an explanation for the restriction of the strategy which was proscribed his temperament of composition vogue. However, in this document Encounter II, it is going to be the incontestable methodology of analysis in various musical set

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