March 9th, 2015 Social Commentary: Criticism of the Socioeconomic Elite Socioeconomic classes and the relations between them have long remained a subject of interest to historians, philosophers, and writers alike. As Karl Marx wrote in his Communist Manifesto, “the history of all hitherto existing society is the history of class struggles” (4). A critical aspect of the relationship between such classes is the way the socioeconomic elite conduct themselves and how their actions are viewed by the rest
Woman: God’s second mistake? Friedrich Nietzsche, a German philosopher, who regarded ‘thirst for power’ as the sole driving force of all human actions, has many a one-liners to his credit. ‘Woman was God’s second mistake’, he declared. Unmindful of the reactionary scathing criticism and shrill abuses he invited for himself, especially from the ever-irritable feminist brigade. The fact and belief that God never ever commits a mistake, brings Nietzsche’s proclamation dashingly down into the dust bin
The distinctiveness of Indian theatrical tradition in the dramatic cultures of the world—its antiquity as well as its aesthetic appeal—is more or less indisputable today. The roots of theatre in India are ancient and deep-seated. Theatrical expression of some kind or the other has been since primitive and mythic times, an integral part of Indian life. Our knowledge about the initial, primitive stage of theatrical activity in India is very meagre. However one can safely say that theatre in India as