study of Fritz Lang’s Metropolis and George Orwell’s Nineteen Eighty-Four (1984), the extent of which technology impacts and aids a dictatorial regime is examined through the intertextual perspectives offered by each text. The incorporation of the political philosophy of collectivism, and by extension the absence of individual liberty and freedom, reflects both the social and cultural influences surrounding the composer upon the creation of the text. Both Metropolis and 1984 delve into the idea of
Through the comparative study of Metropolis by Fritz Lang and Nineteen-Eighty Four (1984) by George Orwell, it is clear that technology aids the progress of dictatorship to a great extent. By exploring the contextual perspectives of both Lang and Orwell, it can be seen that the creation of fear through the means of technology allows authoritarians to manipulate people. Both texts highlight the control that authority gains through technology, however in Metropolis, Fredersen utilises technology as
The distinctiveness of Indian theatrical tradition in the dramatic cultures of the world—its antiquity as well as its aesthetic appeal—is more or less indisputable today. The roots of theatre in India are ancient and deep-seated. Theatrical expression of some kind or the other has been since primitive and mythic times, an integral part of Indian life. Our knowledge about the initial, primitive stage of theatrical activity in India is very meagre. However one can safely say that theatre in India as